G.A.S.
Amp Projects
2x12 Tweed Cab
Amps
Tech21 Trademark 60
Fender 75
Effects Pedals & Mods
COMPRESSORS
BBE OptoStomp
MXR Dynacomp
Boss CS-2
Boss CS-3
DISTORTION (etc)
Big Muff
Boss BD-2
Boss DS-1
Boss SD-1
Digitech Bad Monkey
Fuzz Face
Ibanez TS-808
MI Audio Blues Pro
MI Audio Crunch Box
Proco Rat B
Tube Driver
Tube Works Blue Tube
MODULATION
Boss CE-2
Boss CE-3
Elec
Mistress Deluxe
MXR Phase 90
Univibe Stereo Chorus
OTHER
Boss GE-7
Morley Wah
Effects Projects
Valve
Preamp Imitation
Line Buffer
Buffered Switch
Box
Effects Settings
Guitar Projects
Red Strat/EMG DG20
Blue Strat/Custom 54s
P90 Strat
Sunburst Strat/L280s
Rickenbacker 4001
SX
Precision Bass
Legend
Fretless/EMG P
Guitar Shielding
Rants
Vintage Stagger
Pole Spacing
|
big muff
NEW!!! Mid Control Mark 2
My original modded Big Muff in the second
half of this article got "damaged" during a DC socket mod
attempt. It's still repairable, but I had another unmodded black Russian
Muff lying around, so I thought I'd mod that with a basic mid control
mod instead.
I was a little dubious about attacking this
one, since it actually sounded quite nice stock. Much better than my
other black Russian. But what the hey, it's a reversible mod, right?
So, virtually the same mod as before, except
the mid control pot this time was 25k logarithmic. And bingo, this gave
me the smooth taper I wanted.

Note here the new blue rectangular capacitor,
and the two wires to the right of it, which replace a resistor on the
board and run to the mid control.

Here's the mid control pot on the top left.
Note the same two wires from the previous photo.
I wasn't terribly pleased with the diode
mod I tried originally so I didn't bother with that one again.
Here's the sexy finished product:

Mid Control, Diode Selection Switch

The Sovtek black Russian Big Muff. I must
be the only person in the world who doesn't get along very well with
this pedal. The mid-scoop is a bit too extreme and the highs are a bit
too nasty for my taste. I love the Gilmour sound, but it has long been
difficult for me to imagine how he gets it out of a pedal like this.
Of course, his mid-boosting EQ which usually follows is the key.
What I really wanted was to be able to use
this pedal without having to hang another dedicated pedal after it,
be it an EQ or a Tube Driver set to low gain. So when I discovered how
to tame the mid-scoop, I gave the Muff another go.
There were two especially helpful sources
on the net. I found the original schematics here on the PisoTones site:
http://www.pisotones.com/BigMuffPi/psst/BMP_versions.htm
And mod suggestions from the Technophobia
site (including the mid control):
http://www.student.ru.nl/r.kerkhof/Taas/Mods/Big%20Muff.htm
It's quite possible these mods originated
from Jack Orman's Lab
Notebook:
http://www.muzique.com/lab/tone3.htm
The first thing I did was replace the pots.
The sustain control on my pedal in particular was a bit of a dud. The
wiring inside the pedal was pretty flimsy, and wires did come loose
from the circuit board during the course of surgery. The old pots are
still pictured:

The next thing was to install the mid control.
The actual component values I used are displayed in the tone stack schematic
below. Be sure to compare this with the original schematic.

You can see the yellow rectangular MKT capacitor
(C1) I substituted in below. The resistor to the right was also replaced
afterwards with R2 and the 20k pot.

So that was about enough right there. The
pedal immediately became more useful, and the mid control does indeed
range from an extreme mid cut to a subtle boost. I used a 20k linear
taper pot, but it's only really effective for about the first quarter
turn. Next time I'm in there I think I'll try a log taper pot. I mounted
the pot on the face of the pedal (see photo at the top of this article
- there wasn't quite enough room for another chicken-head knob).
The other thing I wanted to do was replace
one of the clipping diodes in each transistor stage with a pair of germanium
diodes in series. I was hoping this would give me, well, more of a germanium
sound, a bit like a Fuzz Face, or perhaps a Cornish G2?
The stock silicon diodes had a voltage drop
of about 0.6v, while the germanium pairs were 0.5v. The question was
whether I should replace the same diode in each transistor stage, or
alternate ones. I wanted to retain an overall semblance of symmetrical
clipping, and since the Muff uses inverting common emitter stages, I
essentially replaced the same diode in both stages. That's my story
and I'm sticking with it.
Not convinced it was all going to sound great
however, I decided to install a DPDT switch for stock silicon vs the
new germanium diodes. You can see my nasty piece of work below.

Good thing too. The germanium setting has
about half the sustain of the stock silicon setting, and also has a
very slight octave thing going on. Not bad at all and nice to have,
but I'm not sure I'll use it much.
But the mid control has completely transformed this pedal,
as you'd expect, while retaining a setting for traditional Muff tones.
On the still-to-do list, if I can be bothered, will be...
- experimenting with a log taper pot for the mid control
- replacing the stock pcb-mounted jacks with higher quality
ones
- modifying for true-bypass with a 3PDT footswitch
|
Free
download!
New Tunisia EP
Under
Deconstruction

Debut Tunisia
album
Two False Idols
available in our Store
and iTunes

".. Catchy hook laden melodies,
brilliant songwriting, and richly orchestrated arrangements."
Prognaut.com
".. Anyone who can sound like Pink Floyd or Porcupine Tree one
minute and The Jayhawks or The Humblebums the next has to be worth a listen."
Classic Rock Society
"Craven really has come up with something very different and
ingenious here and, as such, ‘cinematic rock’ is pretty much
a perfect description." HardRockHouse.com
|